Kelly Cuoco and Pete Davidson in a Jagged Rom-Com – The Hollywood Reporter

In sweet meet, Peacockof the rugged romantic comedy, Girl meets Boy at a non-descript bar. After some awkwardly sweet happy moments and old-fashioned times, they take their conversation to the underlit streets of New York City. Sparks fly. Young adults fall into a lustful stupor. They soon parted ways, promising to see each other. Next day the girl meets the boy at the same bar. They exude happiness but still indulge in the drink era. They stumble on the streets. The day after that, the girl meets the guy again, and they repeat their first date forever.

This nightmare scenario is a dream for Sheila (extremely disturbing) Kelly Cuoco), a neurotic depressive in search of purpose and a second chance. She finds it during an impromptu visit to the nail salon, where her sardonic nail tech, June (Deborah S. Craig), introduces her to a time machine. The equipment, a misguided purchase by the establishment’s owner, could be mistaken for a tanning bed: It has a white chrome exterior and ultralight interior. But it offers a bigger, more permanent, change.

meet cute


Flicker with potential.

Release Date: Wednesday, September 21 (peacock)
Throw: Kelly Cuoco, Pete DavidsonDeborah S. Craig, Hari Nefo
the director: alex lehman
screenplay by: noga panuelic

1 hour 29 minutes

meet cuteDirected by Alex Lehman and written by Noga Panuelli, time-travel films adopt conceit such as Groundhog Day to concoct a love story reaching the poignancy of eternal Sunshine of the Spotless Mind, The film’s emotional resonance comes from watching Sheila and Gary (Pete Davidson), an unlikely couple, try to change how they remember each other—at first superficially, and then more deeply-seated. in ways. But Sheela’s excessive focus on the mechanics of cosmic mischief doesn’t leave enough room for understanding these love birds.

first act of meet cute Made entirely of Sheila and Gary’s first dates. We meet him, technically at the beginning of Date Seven, with a long stare at Gary from across the room. He is familiar with the outlines of their exchange, armed with the knowledge of how their evening will end. She knows what jokes Gary, an isolated freelance web designer, would make when he stopped in front of a cadre of Indian restaurants in the East Village; what will he order; what wine would he enjoy; And the stories he would tell her. Routine and predictability are comforting until they are. Over the course of the sequence (about a year’s worth of dates) we see Sheela grow frustrated and bored with her boyfriend.

But Sheila is resistant to changing her position, letting the timeline run on its own. She returns to the nail salon after each date, a distressed woman refusing to surrender. Cuoco (the flight attendant) is almost complete shell; The actress teases the fear that undermines Sheela’s obsessive enthusiasm for that night and her choices. It’s the fear that his depression will return, the fear that Gary won’t love her as much as he does on the first date, the fear of feeling anything but temporary euphoria. This fear, coupled with her inability to relinquish control, prompts Sheila to take even more drastic measures: to relieve Gary’s most frustrating symptoms, she decides to jump back into the past and resolve. His trauma.

where is it meet cute Loses some of its momentum and ground, making the second act mostly confusing and forgettable. In trying to fix Gary, Sheila (and by extension we, the audience) loses the plot. His motivations become vague and less understood. Her dates with Gary, whom she tells about her time-travel, fall short of his prediction. Their dates are sour, end with explosive arguments and a confused Gary is always away. A lot could have been resolved if the script had spent more time with Sheela and clarified her mental health struggles. Instead, her depression is relegated to ambiguous monologues and beauty shortcuts — sporadic outbursts and costume choices to highlight a clichéd haggerness — that keep us too close to the surface. It doesn’t help either that as the film moves toward its emotional climax, Cuoco and Davidson’s partnership comes across as more fraternal than romantic, with the former feeling more of a grown-up than a fiery lover. She is like a sister.

Despite its flaws, meet cute Flicker with potential. The film has pockets of charming moments, making it easy to see what the filmmakers were trying to achieve. There’s something tempting about re-living the honeymoon period of any relationship, returning to the moment the passion was ignited, but it’s not those early days or feelings that would lead to a winning or lasting romance. Huh. meet cute takes its own, inventive path to a familiar conclusion: Like the most complicated puzzles, love takes time.

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